Nike Air Max 720 — From Data to Sculpture
One shoe, 720 brains, emotions spilling onto the streets.
NIKE · JUNE 2019
Brief
Nike was launching the Air Max 720, featuring the largest Air unit they'd ever produced. Nike's creative agency Awesome Bros had already framed the brief: the "720" in the name shouldn't stay a model number — it should become 720 real people's real emotions.
Not a routine launch, but a case that didn't belong to its category. They needed a partner who could find 720 wearers, actually measure what they felt, then turn the raw data into art.
“Trying on a shoe is a feeling — we measured that feeling 720 times, then sculpted it.”
Insight
Sports marketing almost always sells a promise: speed, comfort, performance. But when a customer tries on a shoe, they actually feel something else — a momentary feeling they couldn't put into words even if they tried.
If we could prove that feeling was measurable — and that the brand could turn it into something else — Air Max 720 would stop being just a launch and start being a research project. Out of category, press-worthy, share-worthy, and a step toward Nike being a culture brand, not a shoe advertiser.
The Idea
To turn the Awesome Bros concept into reality we built a technology + operations architecture in three layers.
Data collection ran on two parallel field channels: laboratory-styled stations inside Nike stores, and a "suitcase" mobile EEG unit we designed — taken to universities and concerts by a team in lab-coat costumes.
When all 720 wearers were collected, the raw data went to Refik Anadol's studio.
Advanced EEG, 12 Emotions
A complete biometric portrait system reading the wearer's brain in real time, capturing 12 distinct emotions and classifying the raw data on the spot.
Live Feedback & Reels
The data was processed live and the wearer saw their own emotion graph on screen. Auto-generated Instagram Reels from the same data were ready for sharing on the spot.
Mobile Suitcase Units
Alongside the lab-styled in-store stations, we built a portable EEG unit shaped like a suitcase — taken to universities and concerts by a team dressed as lab researchers.
Refik Anadol's Data Sculptures
All 720 datasets went to Refik Anadol. The patterns, intensity and distribution became data sculptures shown across Nike flagship stores and outdoor spaces. Refik Anadol gave talks telling the story of the project.
Execution
The concept came from Awesome Bros, but turning "a launch that measures emotion" into reality was a multi-layered technical design problem.
Scope
- EEG device integration and 12-emotion measurement software
- Live data visualization and Reels generation system
- In-store laboratory station architecture and setup
- Mobile "suitcase" unit design and production
- Field operations at universities, concerts and events
- Lab-costume field team organization
- Classification of 720 datasets and handover to the artist
- Technical coordination with Refik Anadol's team
Team
- Project Lead & Experience: Atilla Baybara
- Technology Development: Utku Olcar
- Client Relations: Şaban Yılmaz
- Operations: Yiğit Sarı
- + Field, production and operations team
Results
- Outstanding sales performance — Air Max 720's Turkey launch left a mark on the sales curve
- Heavy press coverage — the out-of-category format earned wide space in trade and mainstream media
- Refik Anadol's talks telling the story of the project added a layer of art and thought
- Data sculptures across Nike flagship stores and outdoor — the physical exhibition let the brand spill out of the store
- On-site Instagram Reels videos were shared organically by participants, fueling the viral arm of the campaign
- Became a reference among Nike Turkey's launch case studies
- Client
- Nike
- Product
- Nike Air Max 720
- Date
- 2019
- Creative Agency
- Awesome Bros
- Art Direction
- Refik Anadol
- Production & Operations
- Harikalar
- Project Lead
- Atilla Baybara
- Technology
- Utku Olcar
- Client Relations
- Şaban Yılmaz
- Operations
- Yiğit Sarı
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